Bring the "Illinoise"
Sufjan Stevens and his fellow "Illinoise-makers" floated into Chicago's Riviera Theater Tuesday night under cover of blacklight. The 15 people on stage (Mr. Stevens included) walked out wearing butterfly wings and mardi-gras masks, started into a beutiful, quiet instrumental melody and immediately captured the attention of all 2,500 people in the old, grungy theater.
Sufjan played a solid set clocking in at just under two hours long. Debuting one new song about a giant, imaginary bird that had the talons of a hawk and the stinger of a wasp. This opus continuously crescendoed into a mass of noise created by the six violin players, the two cellists, the drummer, two trumpeters, the trombone player, the guitarist, bass player, and Sufjan himself clutching his acoustic guitar while hammering away on the pure white grand piano. It was jaw-dropping - like watching art come alive on stage.
Highlights of the evening for me were "Detroit, Lift up your weary head (Rebuild! Restore! Reconsider)," "Jacksonville," "Casimir Pulaski Day," a haunting acoustic version of "John Wayne Gacy," and "The Man of Metropolis Steals our Hearts." "Chicago" was saved for the last song of the set with the video screen behind him showing grainy home movie style video of our beloved City of Broad Shoulders (even though I'm in another state, I kind of call it 'ours')
Sadly missing from the set was one of my favorites tunes "Decataur, Or, Round of Applause for your September" No biggie though - you can't hear every tune when some of them are taking a 10-minute slot in the set.
Opening the evening was "My Brightest Diamond." Having not heard them, or of them before I didn't know what to expect. Rock, indi-pop with a string section ... hmm I may have a new album to purchase.
Overall, I'd definitely see Sufjan Stevens again. The fullness of sound, the heartfelt lyrics, and the goofiness all packed into one made for a great night for April and I.
-DJr.0
